Apocalypse – I really had higher hopes for you.
When the next villain was teased at the end of the confusingly titled X-Men: Days of Future Past, I was intrigued despite not knowing much about who Apocalypse was. The idea of a villain that was also a god had real potential, despite the fact that I knew he obviously would be vanquished as that’s kind of how these movies play out and these films take place before the original X-men movies, where no reference to Apocalypse is made. My comic book loving friends were also relatively pumped for the arrival of Apocalypse and his four horsemen (horsepeople?), so while I knew the ultimate outcome would be in the favor of the X-Men, I thought that Apocalypse would provide them with a real challenge.
Unfortunately, X-Men: Apocalypse was ultimately disappointing. There were brief moments of excitement and fun, but this franchise is really beginning to show signs of fatigue. For me, it was too much of what we’ve seen in other X-Men movies without much personality or originality to liven things up a bit. There are only so many times that you can see the same basic character beats and plot lines play out before you get bored and I think Apocalypse was that point for me. Even the actors seemed pretty uninterested in what was unfolding around them; when you have Oscar Isaac, Jennifer Lawrence, Michael Fassbender and James McAvoy at your disposal, the end product should be a lot more interesting.
X-Men: Apocalypse opens in ancient Egypt, where Apocalypse (Isaac), believed to be the first mutant, rules. He is betrayed by some of his worshipers and entombed until being awakened in the 1980s. He isn’t on board with modern life and decides that he needs to destroy the world in order to save it (questionable logic at best). He then sets out to recruit his four “horsemen” to assist him, including Magneto (Fassbender), who has been a fugitive since the events at the end of Days of Future Past, which have made Mystique (Lawrence) something of a folk hero. Apocalypse also wants to tap in the powers of Professor Xavier (McAvoy) and…well, a bunch of other convoluted stuff happens. Needless to say, the good guy mutants want to put an end to Apocalypse’s plans for world domination. X-Men: Apocalypse also marks the first introduction of young Cyclops (Tye Sheridan), Jean Grey (Sophie Turner), Storm (Alexandra Shipp) and new mutants Psylocke (Olivia Munn), Nightcrawler (Kodi Smit-McPhee), Angel (Ben Hardy) and Jubilee (Lana Condor). Nicholas Hoult, Rose Byrne, Lucas Till, Evan Peters and Josh Helman all reprise their characters from previous X-Men films.
At this point, the X-Men franchise really needs to find a new direction to go in, so it’s not lather, rinse, and repeat with these storylines. Magneto is always a bad guy…until he isn’t. We’ve been watching Xavier try to save his friend for nearly 16 years now and it’s getting a little boring – especially since we know that this battle will wage on for the foreseeable future of the franchise as this tension was at the heart of the original X-Men film. The same goes for Mystique, who we know won’t stick with the good side either. The allegiances in these films are so flimsy and the character arcs are simply rehashing the same issues that we’ve already seen play out several times already. The introduction of the new mutants might add some interesting dynamics if they were actually given something to do; Psylocke and Angel have maybe 10 lines between the two of them in the film; we know very little about them or what their motivations are in this whole fight. Munn is definitely a bad-ass, but I couldn’t have told you her character name without looking it up. There are so many characters in play that they have a tough time servicing all of them; I would have much preferred learning more about some of these new characters than dealing with the Magneto/Xavier dynamic for the hundredth time. If you have Jennifer Lawrence locked up under contract, you should probably actually use her. She doesn’t have much to do in Apocalypse, to the detriment of the movie.
A lot of these issues wouldn’t have been so problematic if they had done more with Apocalypse. Oscar Isaac is unrecognizable in the role, both because he’s hidden under all the blue makeup and because there is absolutely no trace of his charisma or charm. Despite his backstory, Apocalypse isn’t the big bad that I was hoping that he would be. Not only is what he is really trying to accomplish a bit unclear, but he seems to take a pretty haphazard attitude in reaching his goals. His recruitment of his “horsemen” is random at best; if I was putting a team together to destroy the world, I might want to do more research beyond “these are the first four mutants that I came across.” I’m not really sure what Angel is bringing to the table and I will never be convinced that Storm is a real threat. Maybe you wouldn’t be able to recruit some of the most powerful mutants out there, but he probably should have put more thought into the whole thing. In all honestly, I could probably have taken Apocalypse out, and my superpower is just being snarky.
None of this is the fault of the actors, who do the best with what they’re given. There are also some nice fight sequences in the film that liven things up a bit, which is what you need in a movie like this. But it’s saying a lot that the most memorable and fun sequence in the film involved Quicksilver (Peters) and is basically a carbon copy of the scene that he had in Days of Future Past. Even the best part of Apocalypse is a retread.
Some other thoughts:
- All these decade jumps make it very hard to keep track of how old everyone is supposed to be. Vulture investigates and not surprisingly, it doesn’t make a whole lot of sense.
- I think they missed a real cross-promotional possibility by not using Metallica’s “My Apocalypse” somewhere in this movie.
- A lot of criticism has been levied at one scene in particular in the movie.
- Since I’m such a big Game of Thrones fan, I had a tough time seeing Sophie Turner disappear into the role of Jean Grey. Mostly, I was hoping she would get to keep those powers as Sansa Stark, which would be a pretty big game changer for her Game of Thrones character.
- I wouldn’t want to be an X-Man, not because I wouldn’t want the powers, but because they seem to have no fun at all. There is absolutely no joy in any of these characters; I’m sure being a mutant is hard, but there’s got to be some fun to be had as well.
- There was a post-credits sequence that made absolutely nothing to me. Screenrant explains what it all meant.
Honestly, X-Men: Apocalypse isn’t a bad movie, just kind of a boring one. It’s too much of the same old that we’ve seen throughout the franchise, which means that it’s predictable and showing signs of fatigue. They need to find a new angle or something new to say in order to breathe some new life into these films; they were able to do that when they did X-Men: First Class but that concept seems to have run its course. They should either clean house and focus more on new mutants or perhaps make a villain that lasts for more than one movie – anything that would shake up the same basic formula that these films are regurgitating with little variation. So many superhero movies are cranked out now every year that you really have to do something different to stand out. X-Men: Apocalypse was a perfectly serviceable superhero movie, but ultimately is just recycled storylines from previous X-Men movies. Hopefully this is a transition movie that will eventually lead to something a little more original or interesting down the road. Otherwise, this may be a franchise that will coast on fumes for a while.
X-Men: Apocalypse is currently showing nationwide.