Oscars 2014 – Running Diary

Well, the Oscars have come and gone and I have to say, I was a little underwhelmed with last night’s telecast. I don’t know if it was because I was so certain of many of the winners or that Ellen DeGeneres just wasn’t that funny. I giggled a few times during the ceremony, but there were also a lot of awkward moments where things just didn’t see very polished or well thought out. For a bunch of people who get paid to read lines for a living, there sure were a lot of teleprompter errors. And while there were some momentary moments of joy and happiness, for the most part no one seemed all that happy to be there. Enthusiasm was definitely a rare commodity. Maybe it was the weather; the people of Los Angeles are not used to that much rain.

I’m not sure which of these factors mattered most, but all in all I was pretty bored by the Oscars. Thank goodness I had my pal Kristin and a plate full of poutine to keep my energy up. As always, I jotted down my thoughts as I was watching the ceremony:

8:30 pm – Thank goodness. We can finally turn the channel from Giuliana Rancic and the E! red carpet coverage. I know people love her, but I can’t stand that woman. The only excitement was when Jennifer Lawrence fell getting out of her car:

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JLaw should be carried around like Justin Bieber.

Also of note from the red carpet – Benedict Cumberbatch can photobomb like a boss:

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Watch Ellen’s monologue here.

8:31 pm –Ellen makes her first (and hopefully last) joke about the weather. Sorry peeps – the rest of the country has been buried under snow all winter; we are not sympathetic to a little bit of rain.

8:32 pm – The real Captain Philips and Philomena are in the audience. No word on if the real Wolf of Wall Street got an invite.

8:33 – Liza Minnelli did not seem amused to be compared to a male Liza impersonator. I dug the blue hair, though.

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8:34 – Step away from the bronzer and hair dye, John Travolta.

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8:35 – If I ever decide to try my hand at stand-up, I want Julia Roberts in the audience. She laughs enthusiastically at anything.

8:39 – You probably should be able to use your context clues, but if you haven’t seen The Wolf of Wall Street and were confused about Ellen’s joke involving Jonah Hill – he shows his (fake) penis in the movie. (“Jonah Hill is here tonight. He is nominated for Wolf of Wall Street. You showed us something in that film that I have not seen in a very, very long time.”)

8:40 – “And now…our first white presenter.”

8:41 – Best Supporting Actor kicks things off. Lots of talented people in this category.

8:42 – Not a surprise – Jared Leto and his beautiful hair win for Dallas Buyers Club.

 

8:44 – Sweet shout out to his mom. That was a pretty perfect speech. Well done, Jordan Catalano!

8:45 – I have no idea who came up with this Leto/Buddy Christ side by side, but God bless them.

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8:46 – Interesting blue jacket on Jim Carrey

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8:48 – “That magic I’m referring to is LSD.” That actually made me laugh, for possibly the first time all night.

8:49 – A montage? Already? We’re barely 20 minutes into this thing.

8:50 – Kerry Washington looks absolutely gorgeous. She’s got kind of a Grecian vibe going on.

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8:51 – Pharrell is officially trolling us with this hat. But I’m excited to see him perform “Happy.”

 

8:52 – Lupita Nyong’o, Meryl Streep, and Amy Adams are getting down.

8:53 – I honestly don’t think I’ve ever seen the audience get up and dance during the Oscars before. Well done, Pharrell.

8:54 – Where do I get a pair of the sneakers that Pharrell is wearing?

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8:57 – Best costuming goes to The Great Gatsby. The winner apparently came in costume.

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9:00 – Sadly, Bad Grandpa’s Oscar dreams have been dashed.

9:03 – Harrison Ford is out now to introduce three of the Best Picture nominees. He sounds very bored with the whole thing.

9:05 – I’m not sure what’s happening right now – I’ve been distracted by the dreamy Channing Tatum.

9:10 – We’ve now entered the portion of the evening where we trot out an older celebrity so that they can act like a whack job. This year’s “winner” is Kim Novak, who clearly has had a lot of work done.

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9:11 – I think they do this to scare the celebrities as to what their future holds; sadly, even celebrities eventually age.

9:14 – Frozen wins for best animated feature. Novak thinks that this is American Idol and drags out the announcement of the winner.

9:17 – Another montage.

9:21 – Emma Watson and Joseph Gordon-Levitt are adorable. Can we get them to start dating?

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9:22 – Gravity wins its first of what I predict will be many Oscars.

9:23 – Now Zac Efron is here to present. We have apparently entered the “youth” portion of the evening.

9:24 – Efron is proving right now that it’s hard to be pretty and talk at the same time.

9:25 – Karen O to perform “The Moon Song” from Her, which I loved. Ezra Koenig from Vampire Weekend accompanies her. Hipsters everywhere rejoice.

 

9:26 – Without the context of the movie, I’m not sure this song works as well.

9:27 – I do appreciate that she took off her shoes, though I hope that she doesn’t forget them on the stage.

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9:33 – Worth noting -Jason Sudeikis cleans up nice.

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9:34 – Kate Hudson should still be in time out for derailing Matthew McConaughey’s career for nearly a decade with her silly romantic comedies.

9:36 – Enough with the crowd work, Ellen.

9:38 – I’m looking very smart now that 20 Feet From Stardom won Best Documentary Feature.

9:39 – Darlene Love is making a solid case for background singers everywhere:

 

9:40 – Ha! Kevin Spacey comes out to present in character from House of Cards.

9:42 – Weird that Angelina Jolie is in attendance and they aren’t showing her when she won an honorary Oscar.

9:49 – The Great Beauty wins for Best Foreign Language film; guess I know what’s going to the top of my Netflix queue.

9:50 – I am so incredibly bored and we’re only a little over an hour in.

9:51 – Tyler Perry? Really? He gets to present?

9:52 – I’m pretty sure that Perry just completely skipped over the introduction of Her. Either that or I lapsed into a coma and missed it.

9:54 – That was not nearly enough Brad Pitt. Can we just have him stand on stage for the rest of this?

9:56 – U2 performs “Ordinary Love”

 

10:00 – Have we really resorted to selfies to liven this show up? Because nothing is more fun that watching people take photos of themselves.

10:03 – OK, I’m game – I’ll retweet this celeb filled photo:

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Reports are that Liza Minnelli tried to sneak her way into this photo. A-List only, Liza (unless you are Lupita’s adorable brother, who totally crashed the party)!

10:04 – I do love me some Michael B. Jordan. Texas Forever!

10:06 – I’m just not sure how I feel about this colored jacket trend among the men. Even Chris Hemsworth is in on the action:

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10:07 – Another one for Gravity – Best Sound Mixing.

10:08 – I’m now arguing with Kristin’s hubby that my rejection of the tinted tux jacket is not at all a rejection of Chris Hemsworth. He can wear a paper sack and I’d still be thrilled.

10:11 – Chritoph Waltz is here to announce Best Supporting Actress. He needs to be in another movie stat.

10:12 – I think the camera man is drunk; that shot was all sorts of messed up.

10:14 – Hooray! Lupita Nyong’o for the win. Well deserved!

 

10:19 – The consensus among our group is that the new ABC show Resurrection (which they are endlessly promoting) looks creepy as hell.

10:23 – OK – I’ll concede that the pizza delivery bit was pretty funny. I enjoy Brad Pitt running around handing out plates and napkins; he’s a stand-up dude. But seriously people – make sure the pregnant woman gets some pizza.

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Side note: Turns out that was a REAL pizza delivery guy.

Further side note: Brad Pitt was totally digging that pizza:

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I’m guessing there aren’t a lot of carbs in the Pitt/Jolie household.

10:26 – We all agree that it would be fun to hang out with Bill Murray.

10:27 – Harold Ramis shout-out gets big cheer. R.I.P., Harold.

10:28 – Yet another win for Gravity. My picks are looking pretty darn good.

10:30 – Anna Kendrick and Gabourey Sidibe here to introduce Best Editing, though I’m hoping this turns into an episode of American Horror Story: Coven.

10:31 – Whoopi seems to be wearing some cool red shoes under her dress.

10:32 – Ah – they are part of a Wizard of Oz tie-in. The Oscars were ahead of me.

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10:34 – Pink? Was Beyoncé busy? No disrespect to Pink, but she wouldn’t have been the first person I thought of for this.

 

10:38 – Pink did a nice job, but why exactly are we doing a tribute to The Wizard of Oz? This show is moving slowly enough without filler.

10:42 – Well, they finally got Ellen to wear a dress.

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10:43 – Jennifer Garner and Benedict Cumberbatch are having a competition for sharpest cheekbones. I think I give the edge to Cumberbatch.

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10:46 – Another freakin montage.

10:47 – It’s clear that we are using a very liberal definition of “hero” for this montage. Kevin Bacon in Footloose doesn’t strike me as all that heroic.

10:53 – Glenn Close is here to introduce the “Bring Out Your Dead” segment, which is fitting since she looks like she is dressed to go to a funeral.

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10:54 – Interesting. They kicked things off with James Gandolfini.

10:55 – I’m glad that they muted the audio and gave all the people featured in the In Memorium segment the same amount of screen time. I hate when this turns into a popularity contest.

10:55 – Philip Seymour Hoffman gets the power position at the end of the segment.

10:56 – Why have Bette Midler sing now? This is more wasted time – and a song from the 80s. Get current, Oscars.

11:02 – If you are wondering about the weird add-on memorial for Sarah Jones as they were going to commercial, she was a camera assistant who was killed on the set of Midnight Ride on February 20th. There was an online campaign for her to be included in the full Memorial segment.

11:08 – Well, Travolta just butchered the hell out of Idina Menzel’s name. Dude – you had ONE JOB tonight. Learn her name.

11:09 – Menzel sings “Let It Go.”

 

11:17 – We’ve just seen someone hit for the cycle and complete the elusive quest for the EGOT.

11:20 – Dear Lord – there are still six more awards to go. Shoot me now.

11:24 – When Robert DeNiro gets one of the biggest laughs of the night, you know an Oscar telecast isn’t doing well.

11:26 – 12 Years a Slave for Best Adapted Screenplay. Got that one wrong.

11:27 – Yay! Spike Jonze wins Best Original Screenplay for Her.

11:28 – Jonze’s speech was confusing – I thought he was thinking DeNiro and Penelope Cruz, which made zero sense.

11:29 – A skateboarding joke? C’mon Ellen – you are better than this.

11:34 – Sidney Poitier looks old for the first time. He always seemed so timeless to me, but he’s certainly moving slowly.

11:40 – A “Sweating to the Oldies” reference? Who in the hell is writing these jokes?

11:44 – As was preordained, Cate Blanchett fulfills her Oscar destiny.

 

11:46 – Blanchett throwing a little Girl Power into her speech. Good for her!

11:49 – Jennifer Lawrence manages to walk out on stage without incident.

11:50 – Alright, Alright Alright! Matthew McConaughey is an Oscar winner!

11:51 – Leonardo DiCaprio is the Susan Lucci of the Oscars. I guess he’ll just have to be content with banging supermodels for the rest of his life. Poor guy.

11:52 – I am trying to decipher his speech for clues related to True Detective. Tell us who The Yellow King is already!

 

11:55 – Here’s Razzie award winner Will Smith to announce Best Picture and bring this bloated ceremony to an end.

11:56 – Ellen’s monologue was right – Hollywood isn’t racist. 12 Years a Slave wins!

11:57 – Steve McQueen is so happy. Good for them.

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11:58 – Um…you may not want to start playing a guy off once he starts talking about slavery. Just an idea.

12:00 – Hooray! It’s over. Now I can go to bed. So sad that my beloved American Hustle got a big old goose egg.

What did you think of the Oscars? Were you as bored as I was? Sound off in the comments below.

2014 Oscar Predictions

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The big day is almost upon us – the 2014 Academy Award ceremony airs this Sunday. It seemed so far away, but a chaotic and stressful February has mostly flown by. One of the casualties of this rough month has been my annual Oscar death race. I had been looking forward to trying to see as many of the nominees as possible like previous years, but a whole host of outside circumstances made that nearly impossible this year. I had seen all the major award nominees before they were announced, so I’m still in better shape than most of the country, but I’m still disappointed. I wouldn’t have been able to see all the nominees anyway, since two of the animated films haven’t gone to wide release yet, so that is some small solace.  I’ll hopefully bounce back next year to chase after obscure foreign films, but I just didn’t have it in me this year.

That won’t stop me from making some predictions, however; even in the years where I have seen more of the nominees, I usually wind up guessing. On some things, my tastes and the majority (or plurality) of the Academy are simpatico; on others, we differ quite a bit. What I think will win and what I want to win are sometimes two very different ideas. Who knows – this could be the year that my accuracy actually increases because I don’t have to take my personal feeling into account for some categories.

So without any further ado – here are my predictions for the 2014 Oscars:

Best Picture:

12 Years a Slave

This is an extremely close race this year and there are several of the 9 nominated film that I could see possibly walking away with a trophy. For me, I think it’s probably down to 12 Years a Slave and American Hustle and while Hustle was my favorite film of the year, I think that the importance of 12 Years a Slave will ultimately give it the edge. I’m guessing that voters will be more inclined to pick the more serious film. I don’t think that Nebraska, Captain Philips, Philomena of Her have any real chance, but a win for Gravity, The Wolf of Wall Street or Dallas Buyers Club isn’t completely out of the realm of possibility.

 

Actor in a Leading Role:

Matthew McConaughey, Dallas Buyers Club

I was torn on this one – I’d like to see Leonardo DiCaprio finally pick up a win, but Oscar voters love a physically transformative performance and that gives the clear edge to McConaughey. I’d like to think that Chiwetel Ejiofor is in the conversation as well, but I haven’t heard a lot of buzz to indicate that. This would be a great capper on what has turned out to be the Year of McConaughey. Bruce Dern and Christian Bale were also great, but I don’t think that they’ll be factors.

 

 

Actress in a Leading Role:

Cate Blanchett, Blue Jasmine

I’m pretty sure that this is Blanchett’s award to lose; she’s done quite well at the earlier awards shows and she really gave an outstanding performance. I think Amy Adams is the best shot for an upset, but unless Blanchett did something awful to a lot of Academy voters, she appears to be a lock to win. Meryl Streep always makes things interesting, but I didn’t think her performance in August: Osage County was one of her best.

 

Actor in a Supporting Role:

Jared Leto, Dallas Buyers Club

Leto’s performance was one of my favorite things that I saw this year, so I’ll be thrilled to see him win. He completely disappeared into his portrayal of Rayon and brought a sensitivity and fragility to that role that was essential for the movie to work. I kind of like the idea of “Academy Award Winner Jonah Hill” appearing on posters for movies like 22 Jump Street, but I don’t think that is going to happen.

 

Actress in a Supporting Role

Lupita Nyong’o – 12 Years a Slave

I hate to go against my girl Jennifer Lawrence, but I think that Lupita Nyong’o will ultimately walk away with this one. She had the more challenging role and really nailed it; you can’t think about that movie without thinking about her Patsey. 12 Years a Slave was her film debut, which may hurt her with Oscar voters, but in the end I think she’ll ultimately walk away the winner.

 

Animated Feature Film

Frozen

I was going to go out on a limb here and name The Wind Rises (a film that I haven’t actually seen from acclaimed Japanese animator Hayao Miyazaki), but I don’t think that will be any competition for the Disney machine. I quite enjoyed Frozen and it’s a nice throwback to the classic Disney movies of the 90s. And let’s be honest – there is no stopping “Let It Go.”

 

Cinematography

Gravity

Few films were as visually stunning this year as Gravity and I think that the voters will reward the cinematographer for that achievement. I liked the black and white landscape of Nebraska, but the Midwest is no competition for the wonder of outer space.

 

Costume Design

American Hustle

I loved so many things about American Hustle, but the clothes were at the top of my list. I have a soft spot for 1970s couture, so I was in heaven while watching this film. It would have been easy to get caught up in 70s kitsch, but the costume designer showed enough restraint that the characters didn’t become caricatures.

 

Directing

Alfonso Cuarón – Gravity

The sheer magnitude of what he was able to pull off with all the special effects will surely win Cuarón Best Director. I had my issues with Gravity, but I think that Academy voters will be so awe-inspired by what he put up on the big screen that I don’t think the other directors have much of a chance.

 

Documentary Feature

20 Feet from Stardom

I predict that the change in the voting this year for documentaries (now open to all Academy voters) will result in a win for the more crowd pleasing 20 Feet from Stardom over some of the more depressing films that are in contention for Best Documentary. I really liked 20 Feet, so I have no issue with the win should it happen; I thought it was an interesting look at the world of being a back-up singer. And any movie that featured Bruce Springsteen gets my vote.

 

Documentary Short Subject

Prison Terminal: The Last Days of Private Jack Hall

This is a total guess as I’ve seen none of these nominees and there usually isn’t a lot of news on the frontrunners in this category.  The woman profiled in The Lady in Number 6: Music Saved My Life just died, so it would be nice to see that film win.

 

Film Editing

Gravity

I think that Gravity is going to win most of the visual awards. Just a hunch.

 

Foreign Language Film

The Broken Circle Breakdown (Belgium)

This is how you know I really dropped the ball this year – usually I’ve seen at least half of the foreign language films and this year I’ve seen nada. But I’ve heard good things about The Broken Circle Breakdown, so it gets my vote.

 

Makeup and Hairstyling

Dallas Buyers Club

I think this wins by default because I think most Academy voters would have a tough time voting for Jackass Presents: Bad Grandpa or The Lone Ranger.

 

Music – Original Score

Her

I liked a lot of things about Her, but the music in particular stood out to me which is saying something as I am usually pretty oblivious to that stuff. I don’t know if John Williams being in this race will have any bearing – he’s a known quality – but I hope he isn’t a factor. I did notice the music in The Book Thief, but mostly because I found it schmaltzy and cloying.

 

Music – Original Song

“Let It Go”

Case closed

 

Production Design

Gravity

Just going with the trend.

 

Short Film – Animated

Get a Horse!

I honestly didn’t really like this short, but it brings back Walt Disney and Mickey Mouse so I think that will be enough for people to get all nostalgic.

 

Short Film – Live Action

The Voorman Problem

I liked this title the best of the options.

 

Sound Editing

Gravity

In space, no one may be able to hear you scream, but you can sure hear things colliding with one another.

 

Sound Mixing

Gravity

Sure – why not?

 

Visual Effects

Gravity

 

Writing – Adapted Screenplay

The Wolf of Wall Street

I don’t know if this will actually win, but I’m reading the book The Wolf of Wall Street and Terence Winter deserves the award. That book is not very well written. At all. Jordan Belfort might know a lot of ways to hustle people out of money, but he has a very limited knowledge of adjectives.

 

Writing – Original Screenplay

Her

Not everyone loved this movie, but I think people can agree that it is a pretty unique story idea. I don’t know if that will be enough to get Her the win, but it is certainly the most non-traditional nominee.

 

What are your Oscar predictions? Let us know who you think will be a big winner on Sunday – and watch Monday for my love blog of the Oscars ceremony.

12 Years a Slave – A Review

“All you ever did was wreck me”

-Miley Cyrus

Starting off a review of 12 Years a Slave with lyrics from Miley Cyrus may seem counter-intuitive; it is certainly not done to minimize this powerful movie. But it seemed apropos as when I left the movie theater after my screening, I felt like I had been hit by a wrecking ball. This film is tough to watch and I was emotionally drained when it was over. That is a compliment – the actors and director tell such a compelling story that you cannot help but be affected by it. It is a movie that should be seen, even if it is a challenge. All of the praise that this film has received is totally warranted.

12 Years a Slave is the adaptation of a true story: Solomon Northrup is a free black man living with his family in Saratoga Springs, NY. A talented musician, Solomon is approached by two men who offer him a lucrative deal playing music in a traveling show. He accepts the deal and accompanies them to Washington DC. While there, the two men drug Solomon and sell him into slavery; he awakens to find himself chained with no memory of how he got there. His protests that he is indeed a free man fall on deaf ears. And so beings Solomon’s nightmare of being enslaved for 12 years, with his family having absolutely no idea what happened to him and having no way to prove who he is. In an instant, he is reduced to a piece of property. What follows is an honest and brutal depiction of the life of the slave.

12 Years a Slave is far from the first movie to tackle to issue of racism and slavery; however, most recent depictions of the institution have focused more slavery from the point of view of the white men who are debating its morality. Lincoln was a very good film, but it paid more attention to the process of passing the 13th Amendment than on the people who would actually be affected by it. That is a valid story, but it isn’t the full story. By telling Solomon’s story, 12 Years a Slave provides an unflinching look at what many had to endure and why such legislation was needed. In telling one man’s story, it is telling the story of thousands of others who suffered. Many films about slavery allude to inhumanity and cruelty that many had to endure but back away from depicting the true savagery. 12 Years a Slave doesn’t shy away from the truth – it isn’t violence for violence’s sake, but a necessary look at a dark chapter of our history. I am normally pretty unflappable, but there came a point in the film where I simply had to look away from what I was seeing. I closed my eyes for a few seconds to compose myself, tears streaming down my face. I’m not an idiot – I knew slavery was an unspeakable horror for many – but actually seeing a recreation of it that felt so authentic was just too much for me. I was far from the only person sobbing in the theater.

Solomon’s story in and of itself is captivating tale, but the reason that it resonated so much with me was because of the impeccable acting in 12 Years a Slave. The cast was uniformly incredible, anchored by an amazing performance by Chiwetel Ejiofor as Solomon. His transformation in this film is a revelation, as he changes from a happy family man to someone who is simply enduring, with dwindling hope that he will ever escape his imprisonment. Ejiofor is why this film works so well; you would sympathize with Solomon’s plight regardless, but Ejiofor makes Solomon’s story truly come alive. More importantly, he makes it all real. It is such an elegant and nuanced performance that it is really beautiful to watch. He can convey so many emotions without speaking a word.

Michael Fassbender is also unsurprisingly outstanding as slave owner Edwin Epps. Much of the worst brutality that befalls Solomon and the other slaves occurs on his plantation. It would be easy to let Epps become a one dimensional character, the epitome of evil, but that would be lazy filmmaking. Fassbender gives Epps depth and makes him believable. Epps is much harder to dismiss because of the intensity that Fassbender brings to the table. He fully commits to bring this unspeakable human being to life. It speaks to just how good Ejiofor is that Fassbender doesn’t steal this movie.

The film also shows the spectrum of slave owners – as Master Ford, Benedict Cumberbatch is not necessarily a bad man, but a weak one. He prides himself on the kindness that he shows his slaves and he certainly does not relish in his role of master like Epps does. But he is still a slave owner and when faced with Solomon, a man that is clearly educated and was not raised in slavery, he runs from the truth. He may try to be more humane than most – he expresses sympathy for a mother being ripped from her children – but he is not willing to rock the boat and challenge the structure of the South. The best he is willing to do is to make it a little less unpleasant.

Also worthy of singling out is relative newcomer Lupita Nyong’o (this is her first feature film). As Patsey, a slave that has caught the eye of Epps, she gives a star making performance. While being an object of lust of the slave owner may garner her some special treatment, it also makes her a target for the wrath of Epps’ wife (Sarah Paulson). In a film full of pain and suffering, her character may suffer the most. It is a haunting performance that leaves its mark on you.

Some other thoughts:

  • I have not yet read the book that the film is based on, so I cannot speak to how loyal of an adaption this is. It’s now on my list, though.
  • Don’t let the commercials fool you – Brad Pitt is only in this movie for ten minutes or so. He doesn’t really disappear into the role – he’s a good actor, but his face is just too familiar – but I was thankful when he showed up, if for no other reason than it provided a much needed break from “reality.” Plus there is no way that Pitt was standing for this inhumanity.
  • About halfway through the film, I was rooting for Jamie Foxx to show up and bring some much needed vengeance into the film. Sadly, the real story doesn’t provide the kind of closure that Quentin Tarantino can provide.
  • Having grown up a stone’s throw from Saratoga, I immediately thought of Congress Park during the scenes in the city. I don’t know if that was where they were actually going for, or if I was projecting, but that was the first thing that came to mind.
  • My one complaint about the film – not enough Michael K. Williams (Omar, The Wire). He only had a bit part, but I am always happy to see him.
  • I was shocked that there were people who wouldn’t stop talking in a movie like this. I have no idea why they were even in this movie if they didn’t want to see it; if you want to be an a**hole, go across the hall and go see Bad Grandpa where you’ll be less of a distraction.
  • This is clearly a difficult movie to market, as evidenced by the random assortment of trailers that preceded the film. Usually trailers are selected to compliment the interests of the assumed audience, but based on the hodgepodge of ads that they selected I don’t think that they have a clear idea of who exactly is going to see this film.
  • Paul Giamatti also has a small part in this film as a slave trader.  Giamatti makes the most of his limited screen time.
  • On my way home from the theater I had to stop and get myself a treat just to cheer myself up a bit after watching such an emotionally devastating feature. Probably not the best way to kick off my weekend, but I have no regrets.

I have some very minor complaints about 12 Years a Slave – there were some scenes that I’m not sure why director McQueen chose to include – but they don’t detract in any way from the magnificence of this film.  I don’t see how this film will not be a prominent player come Oscar time; it is so beautifully acted and filmed that it would be a travesty if the movie wasn’t recognized with many nominations. 12 Years a Slave is definitely the newest member of my YOWO club; it was powerful and affecting and I have absolutely no interest in putting myself through that emotional wringer ever again. It is because it is so challenging to watch that I think everyone should see it. If a movie can make me tear up when I’m writing the review, it is clearly doing something right. 12 Years a Slave forces us to suffer for two hours so that we can have some small glimpse into the lifetime of suffering that so many had to endure simply because of the color of their skin. It’s been almost a week since I saw 12 Years a Slave and yet I can’t stop thinking about it and discussing it. This is a film that will stay with you long after you leave the theater and should be required viewing for everyone.